Boys Don't Cry
Hilary Swank, Chloe Sevigny
Director: Kimberly Pierce
Spoiler in this review if you watch the news.
The story of Brandon Teena is a sad one and even by the
standards of today's media it appears almost too odd to have ever actually
happened. To most people it seems to be the sort of thing that is found
in the "Funny Stories of Olden Times" section that your local paper runs
when it can't get enough ads in that day. Brandon Teena was born Teena
Brandon and while everyone thought she was a girl, she thought she was a
boy.
Like anyone who is transgendered, Teena Brandon had a great deal of
growing up to do as a person and some very hard ideas to come to terms
with at a very early age. She had a clear choice between trying to fit
in with the "normal" Nebraskan society around her or taking the ideas
enshrined in the American Constitution at face value and being the
person that she felt herself to be and pursuing happiness in her own
way.
Teena Brandon decided like any strong minded transgendered person that
living a lie would be more soul destroying than the risk that she was
running by being her true self. She was not a lesbian but a man. It
wasn't her fault that she had been born into a body that had the wrong
sort of genitalia. Teena simply inverted her first and last names and
with her breasts strapped down and a folded sock making the right sort
of bulge became Brandon Teena, a heterosexual man. In as much as anyone
has the talent for it, Brandon was happy and of the opinion that he had
made the right choice, and started living his life on his own terms.
He moved 100 klicks down the road to the town of Asshole Nebraska and
did his level best to be a normal happy farmboy, going truck surfing,
drinking and romancing women he found attractive to him. He was very
successful in all these activities and happy, but as any hardened
pessimist would expect, the herd soon noticed that Brandon was different
and before long, Brandon ended up raped and dead. The two good old boys
ended up on death row for their gender policing activities.
From my looking around the net Boys Don't Cry is apparently a difficult
film to review. You can either:
- review the film as any "right minded"
liberal would, becoming outraged at the horror of blah, blah and blah or
fulminate at the violence and horror of how narrow minded and unpleasant
people can be; or,
- you can pull the gloves off and write the film off as
unpleasant and entirely concerned with the killing of a "mad person" by
outraged citizens.
These are two sides of the same coin. If you are white and
heterosexual, you won't really understand this film at all. Because,
aside from the fact that in this day and age everybody seems to feel
oppressed, the sad truth of the matter is that there is a whole world of
difference between feeling oppressed and actually being beaten up in
the street for being gay or black by some group of intellectual giants
in search of a victim simply because you are not "normal." Sorry - you
can complain about this review at your next meeting of the Men's
Drumming Group or Smash The Glass Ceiling or whatever - but them's the
facts. This film is not really easy going and it does not pull its
punches about precisely how badly some people are treated in Western
society.
Anyone watching Boy's Don't Cry who is different though - a member of
one of the "dangerous anti-Christ" minorities - will understand it all too
well, but will probably find the truths that it delivers to be pretty much
self-evident and unsurprising. They will find that life and freedom is
not guaranteed, that every second that you experience the freedom to be
yourself is to be treasured and, ultimately, that you die is not
as important as whether you remain true to yourself.
Boy's Don't Cry is a very good film. The acting is without exception
excellent and the direction and photography are nothing short of
beautiful. Kimberly Pierce allows each shot to linger, to allow the
actors to act and the audience to think about their reactions to the
story that they are seeing unfolding before them. This is a slow film
and one which benefits from its sedate pace to the extent where all of
the characters are admirably drawn to the point where they start to
assume the appearance of real people. Special mention must go to the high
speed time lapse shots of Nebraska which are used as emotive poetic
underscorings of the way that Brandon's life is lived fast and for the
moment.
Example: Brandon camps out with a male friend under an
electricity tower. They are two men together and Brandon feels accepted.
The stars wheel over the tower; so fast that you cannot be in any doubt
that the good times pass too quickly and are too ephemeral to ever
really be caught.
I for one liked Boy's Don't Cry very much. Whether you do will depend
entirely on how open your mind is.
Ask yourself these questions after you leave the cinema:
- Was Brandon lying to the people around him?
- Were the people around Brandon justified in feeling that they had been
lied to?
- Precisely what is it that you are doing when you point out a
transvestite passing in the street to your friends? Exactly what is it
that is so interesting?
Boy's Don't Cry addresses some very basic ideas about life head-on, but
the aspect of it that keeps me musing is this... where is truth, when
all you see is another person's face and your own preconceptions.
Rating: 9.5/10
A very seriously good film indeed. I think I may see it again tomorrow.
(C)opyright Alex Rieneck, 2000.
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